You are not required to perform for a camera all day.
I’ll give you direction when it helps, disappear when it doesn’t, and pay attention to everything in between — the parents watching, the friend fixing a tie, the twenty seconds after the ceremony when nobody knows what to do yet.
That means one honest hour of portraits instead of four, and a set of photographs that reads like your day rather than a shot list. Around 60 to 80 frames per wedding are worth showing to someone who wasn’t there. Those are the ones I work for.
A photographer in the room, not a production on the schedule.
Four things I take responsibility for on the day, so you don’t have to think about photography at all.
Feel comfortable
We meet before the wedding. By the time I arrive with a camera, I’m someone you’ve already talked to.
Stay present
No group-shot marathons, no re-staging the first kiss. You spend the day with your people.
Let the day happen
We build a timeline that has air in it. Good photographs come from a day that isn’t running late.
Get the story
A sequenced set you can read from morning to the last song — plus the portraits you’ll print.
Hi, I’m Ersan.
I’m a wedding and portrait photographer based in Vienna, working across Austria and Europe. My style sits between lifestyle and documentary: I watch more than I direct, and I care about composition even when nobody is looking at me.
Outside of weddings I spend my days in Excel tables, on one of my bikes, and around too much coffee and chocolate. Couples tell me the Excel part is reassuring when it comes to timelines.
In their words
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